本视频教程是由FXPHD机构出品的影视色彩光线调色工艺视频教程，

FXPHD GRD201 The Craft of Color Grading，

时长：9小时27分，

大小：8.75 GB，

MP4高清视频格式，

附工程源文件，

语言：英语。

Building upon our successful Craft of Editing series, The Craft of Color Grading looks to explore the world of the colorist and the craft of grading from an application-agnostic approach as much as possible. The lead prof who has helped develop the course is Chicago-based Craig Leffel, who has over 20 years of experience grading the top commercials finished in the city. He'll be helped along the way with some of his friends who are some of the top colorists based in the United States.

The goal of GRD201 is to tap Leffel's and the other colorist's years of experience from both a creative standpoint as well as a practical standpoint. So we'll not only be covering how to make beautiful imagery, but also things such as how to deal with the often-conflicting viewpoints of dealing with divergent views from clients. They'll also be sharing some of their favorite grades they've seen from movies and other projects and critically breaking them down and speaking about why they feel it's top work.

Class 1: Solid foundations. An intro to Craig Leffel's background and approach to the craft of grading. The importance of setting up a solid starting workflow which can then be built upon
Class 2: Continuing the Moving Day grade. Don't jump the gun and begin using advanced features. Get your base imagery correct and sequence balanced before diving into specifics.
Class 3: Finalizing the Moving Day grade. Craig examines windowing and other techniques -- and the reasons and his thoughts behind doing them
Class 4: Old School Tech: We dive into learning about film stocks and film processing. Film might be hanging on for dear life, but clients and others use film references to explain their vision, so this background is critical to know. Optimus colorist Tyler Roth will grade some scenes from Moving Day, attempting to re-create Technicolor looks as well as processes such as bleach bypass and cross processing.
Class 5: Movie references. Clients use references to movies such as Minority Report, Saving Private Ryan, and City of God. Tyler Roth will take a single sequence and grade it a variety of ways, lending his interpretation to these common requests.
Class 6: Guest prof Stu Maschwitz examines storytelling and the craft of grading from the perspective of the indy filmmaker.
Class 7: The Politics of Grading: The reality of being paid to do work is that someone else will also be involved in the creative decision making process. And one of the most difficult things for artists new to the process is managing the various personalities, desires, and motivations of the client. Editor Liz Tate and Craig Leffel sit down to give their insights gleaned over years of working in pressure situations.
Class 8: Craig is back to work on a grade with less than perfect source footage, how to deal with issues of unknown formats and keeping an eye on consistency between shots.
Class 9: A continuation of class 08, and Craig reviews the challenge submissions.
Class 10: In part A Craig shows his approach to grading the New Zealand footage and beauty work. In part B, Craig sits down and answers student questions from the term.

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翻译软件翻译如下：

以我们成功的编辑工艺系列为基础，色彩分级工艺旨在尽可能地探索调色师的世界以及尽可能采用与应用程序无关的方法进行分级的工艺。帮助开发该课程的首席教授是芝加哥的克雷格·莱菲尔 (Craig Leffel)，他拥有 20 多年对该市顶级广告进行评级的经验。一路上他会得到一些美国顶级调色师朋友的帮助。 GRD201 的目标是从创意和实用的角度充分利用 Leffel 和其他调色师多年的经验。因此，我们不仅会介绍如何制作精美的图像，还会介绍如何处理客户不同观点时经常发生冲突的观点。他们还将分享他们在电影和其他项目中看到的一些最喜欢的成绩，并批判性地分解它们并谈论为什么他们认为这是顶级作品。 

第 1 课：基础扎实。介绍克雷格·莱菲尔 (Craig Leffel) 的背景和分级工艺方法。建立一个可靠的起始工作流程的重要性，然后可以在此基础上进行构建 

第 2 课：继续搬家日年级。不要操之过急并开始使用高级功能。在深入研究细节之前，先确保基本图像正确并平衡序列。 

第 3 课：最终确定搬家日成绩。克雷格研究了窗口和其他技术——以及这样做的原因和他的想法

第 4 课：老派技术：我们深入学习胶片库存和胶片处理。电影可能会一直保留下去，但客户和其他人会使用电影参考来解释他们的愿景，因此了解这一背景至关重要。 Optimus 调色师泰勒·罗斯 (Tyler Roth) 将对《搬家日》中的一些场景进行调色，尝试重新创建特艺色彩外观以及漂白旁路和交叉处理等流程。 

第 5 课：电影参考资料。客户引用了《少数派报告》、《拯救大兵瑞恩》和《上帝之城》等电影。泰勒·罗斯（Tyler Roth）将采用单个序列并以多种方式对其进行评分，将他的解释用于这些常见的要求。 

第6课：客座教授 Stu Maschwitz 从独立电影制片人的角度审视讲故事和分级技巧。 

第 7 课：评分的政治学：通过工作获得报酬的现实是，其他人也会参与创造性的决策过程。对于刚接触这个过程的艺术家来说，最困难的事情之一就是管理客户的各种个性、愿望和动机。编辑莉兹·泰特 (Liz Tate) 和克雷格·莱菲尔 (Craig Leffel) 坐下来分享了他们多年来在压力环境下工作所获得的见解。 

第 8 课：克雷格重新开始对不太完美的源素材进行调色，如何处理未知格式的问题并关注镜头之间的一致性。 

第 9 课：08 班的延续，克雷格审查挑战提交的内容。 

第 10 课：A 部分中，克雷格展示了他对新西兰镜头和美工作品进行分级的方法。

在 B 部分，克雷格坐下来回答学生本学期提出的问题。